Sixtieth Collection

Shot for a local pizza chain that wanted their images to tie-in with their uniquely rustic Australian brand identity. I often encourage clients to consider low-key options, which are under-utilized in this market. We've got some really nice shadow-play happening here - particularly with the light spilling onto the deck through the old-school cheese grater that speaks to the 'hand made with pride' philosophy of their business.
Shot for a local pizza chain that wanted their images to tie-in with their uniquely rustic Australian brand identity. I often encourage clients to consider low-key options, which are under-utilized in this market. We've got some really nice shadow-play happening here - particularly with the light spilling onto the deck through the old-school cheese grater that speaks to the 'hand made with pride' philosophy of their business.

Shot for a local pizza chain that wanted their images to tie-in with their uniquely rustic Australian brand identity. I often encourage clients to consider low-key options, which are under-utilized in this market. We've got some really nice shadow-play happening here - particularly with the light spilling onto the deck through the old-school cheese grater that speaks to the 'hand made with pride' philosophy of their business.

This was my first try at a classic citrus zest shot. Thought I failed until I saw the image on the big screen. Just increased the clarity in that area and wow, there it was! Happy days.
This was my first try at a classic citrus zest shot. Thought I failed until I saw the image on the big screen. Just increased the clarity in that area and wow, there it was! Happy days.

This was my first try at a classic citrus zest shot. Thought I failed until I saw the image on the big screen. Just increased the clarity in that area and wow, there it was! Happy days.

En la fotografía me gusta poder poder crear sensaciones, acá un trabajo retador y divertido para mostrar lo refrescante de esta cerveza.
En la fotografía me gusta poder poder crear sensaciones, acá un trabajo retador y divertido para mostrar lo refrescante de esta cerveza.

En la fotografía me gusta poder poder crear sensaciones, acá un trabajo retador y divertido para mostrar lo refrescante de esta cerveza.

Modern Desi Flavours. This photo includes a range of modern Indian dishes including starters and mains. This appealed to me as a British Asian, as it is the perfect example of Indian food with a contemporary twist. The dishes are surrounded by some of the key herbs and spices included in Indian cuisine such as bay leaves, cinnamon, chilies & lychee. I used a grey table as a background to highlight that these are modern Indian dishes, as grey is a popular color used in new kitchens.<br />
<br />
I used a Nikon D750 with a 24-70mm lens and I shot this using natural light.
Modern Desi Flavours. This photo includes a range of modern Indian dishes including starters and mains. This appealed to me as a British Asian, as it is the perfect example of Indian food with a contemporary twist. The dishes are surrounded by some of the key herbs and spices included in Indian cuisine such as bay leaves, cinnamon, chilies & lychee. I used a grey table as a background to highlight that these are modern Indian dishes, as grey is a popular color used in new kitchens.<br />
<br />
I used a Nikon D750 with a 24-70mm lens and I shot this using natural light.
Rajan Sembi

The United Kingdom

Modern Desi Flavours. This photo includes a range of modern Indian dishes including starters and mains. This appealed to me as a British Asian, as it is the perfect example of Indian food with a contemporary twist. The dishes are surrounded by some of the key herbs and spices included in Indian cuisine such as bay leaves, cinnamon, chilies & lychee. I used a grey table as a background to highlight that these are modern Indian dishes, as grey is a popular color used in new kitchens.

I used a Nikon D750 with a 24-70mm lens and I shot this using natural light.

This classic Italian dessert takes a delicious twist! This Hazelnut Tiramisu is the perfect way to celebrate the holidays...or any day! Recipe and further pictures can be found on my website https://www.sweetsandlifestyle.com/haselnuss-tiramisu/
This classic Italian dessert takes a delicious twist! This Hazelnut Tiramisu is the perfect way to celebrate the holidays...or any day! Recipe and further pictures can be found on my website https://www.sweetsandlifestyle.com/haselnuss-tiramisu/

This classic Italian dessert takes a delicious twist! This Hazelnut Tiramisu is the perfect way to celebrate the holidays...or any day! Recipe and further pictures can be found on my website https://www.sweetsandlifestyle.com/haselnuss-tiramisu/

Juicy pears on the table<br />
Camera: Fuji X-T3<br />
Lens: Fujinon 80 mm<br />
Settings: ISO 200, 80mm, 1/3s, f/4.0<br />
Shot using natural light.
Juicy pears on the table<br />
Camera: Fuji X-T3<br />
Lens: Fujinon 80 mm<br />
Settings: ISO 200, 80mm, 1/3s, f/4.0<br />
Shot using natural light.

Juicy pears on the table
Camera: Fuji X-T3
Lens: Fujinon 80 mm
Settings: ISO 200, 80mm, 1/3s, f/4.0
Shot using natural light.

Some campaigns don't need to be over-thought. This is a far simpler shot than I'm used to lighting, though it answers the brief well (bright, fresh, healthy morning vibe)! We have a good modeling light giving round form to the coffee cup in the background and highlights are managed well. This is clear to see by the texture captured on even a flat yogurt surface.
Some campaigns don't need to be over-thought. This is a far simpler shot than I'm used to lighting, though it answers the brief well (bright, fresh, healthy morning vibe)! We have a good modeling light giving round form to the coffee cup in the background and highlights are managed well. This is clear to see by the texture captured on even a flat yogurt surface.

Some campaigns don't need to be over-thought. This is a far simpler shot than I'm used to lighting, though it answers the brief well (bright, fresh, healthy morning vibe)! We have a good modeling light giving round form to the coffee cup in the background and highlights are managed well. This is clear to see by the texture captured on even a flat yogurt surface.

Potato Gnocchi | Parmesan Cream | Wild Mushrooms | Walnuts And Black Winter Truffles<br />
<br />
By chef @fabrimazzeo<br />
Restaurant @salut.restaurant in Islington, London
Potato Gnocchi | Parmesan Cream | Wild Mushrooms | Walnuts And Black Winter Truffles<br />
<br />
By chef @fabrimazzeo<br />
Restaurant @salut.restaurant in Islington, London
Sonya Metzler

The United Kingdom

Potato Gnocchi | Parmesan Cream | Wild Mushrooms | Walnuts And Black Winter Truffles

By chef @fabrimazzeo
Restaurant @salut.restaurant in Islington, London

I love the warmth of this shot, which reminds me of so many happy memories of barbecues with friends. Capturing the medium-rare cross-section of the meat was the biggest challenge for this shot, though bouncing the back-light into a small mirror and back into the cross-section area gave it the clarity we needed.<br />
This succulent cut was shot in-studio, using no natural light - just Bowens 500W monoblocks + studio tricks! The aim was to recreate a distinctly Australian outdoor quality of light, which was done by firing my key light through a custom-made flag on which I'd stenciled-out the silhouette of a gumtree canopy. It was a lot of work, but the client took some great images to market themselves with to Europe in the months following the shoot, where they won the accolade of 'The best beef in the world'!<br />
<br />
Food Stylist: Pete May.
I love the warmth of this shot, which reminds me of so many happy memories of barbecues with friends. Capturing the medium-rare cross-section of the meat was the biggest challenge for this shot, though bouncing the back-light into a small mirror and back into the cross-section area gave it the clarity we needed.<br />
This succulent cut was shot in-studio, using no natural light - just Bowens 500W monoblocks + studio tricks! The aim was to recreate a distinctly Australian outdoor quality of light, which was done by firing my key light through a custom-made flag on which I'd stenciled-out the silhouette of a gumtree canopy. It was a lot of work, but the client took some great images to market themselves with to Europe in the months following the shoot, where they won the accolade of 'The best beef in the world'!<br />
<br />
Food Stylist: Pete May.

I love the warmth of this shot, which reminds me of so many happy memories of barbecues with friends. Capturing the medium-rare cross-section of the meat was the biggest challenge for this shot, though bouncing the back-light into a small mirror and back into the cross-section area gave it the clarity we needed.
This succulent cut was shot in-studio, using no natural light - just Bowens 500W monoblocks + studio tricks! The aim was to recreate a distinctly Australian outdoor quality of light, which was done by firing my key light through a custom-made flag on which I'd stenciled-out the silhouette of a gumtree canopy. It was a lot of work, but the client took some great images to market themselves with to Europe in the months following the shoot, where they won the accolade of 'The best beef in the world'!

Food Stylist: Pete May.

Es emocionante crear imágenes que se vienen a la mente, explorar las opciones visuales y plasmarlas en una fotografía. Amo hacer fotografías creativas :)
Es emocionante crear imágenes que se vienen a la mente, explorar las opciones visuales y plasmarlas en una fotografía. Amo hacer fotografías creativas :)

Es emocionante crear imágenes que se vienen a la mente, explorar las opciones visuales y plasmarlas en una fotografía. Amo hacer fotografías creativas :)

Perspectives can be tricky to manage with food photography. For me, one of the most important elements in this shot is actually the chunky rustic cutlery, which gives a real sense of scale to this MONSTER steak! This was a last-minute addition to the styling. I also selected smaller dishes to surround the meat hero, so as to not dwarf it. The backlit rise of torched rosemary smoke provides the final magic.
Perspectives can be tricky to manage with food photography. For me, one of the most important elements in this shot is actually the chunky rustic cutlery, which gives a real sense of scale to this MONSTER steak! This was a last-minute addition to the styling. I also selected smaller dishes to surround the meat hero, so as to not dwarf it. The backlit rise of torched rosemary smoke provides the final magic.

Perspectives can be tricky to manage with food photography. For me, one of the most important elements in this shot is actually the chunky rustic cutlery, which gives a real sense of scale to this MONSTER steak! This was a last-minute addition to the styling. I also selected smaller dishes to surround the meat hero, so as to not dwarf it. The backlit rise of torched rosemary smoke provides the final magic.

Parsnip soup with shimeji<br />
Camera: Fuji X-T3<br />
Lens: Fujinon 80mm<br />
Settings: ISO 160, 40mm, 1/10s, f/5.0<br />
Shot with artificial light
Parsnip soup with shimeji<br />
Camera: Fuji X-T3<br />
Lens: Fujinon 80mm<br />
Settings: ISO 160, 40mm, 1/10s, f/5.0<br />
Shot with artificial light

Parsnip soup with shimeji
Camera: Fuji X-T3
Lens: Fujinon 80mm
Settings: ISO 160, 40mm, 1/10s, f/5.0
Shot with artificial light

This succulent cut was shot in-studio, using no natural light - just Bowens 500W monoblocks + studio tricks! The aim was to recreate a distinctly Australian outdoor quality of light, which was done by firing my key light through a custom-made flag on which I'd stenciled-out the silhouette of a gumtree canopy. It was a lot of work, but the client took some great images to market themselves with to Europe in the months following the shoot, where they won the accolade of 'The best beef in the world'!
This succulent cut was shot in-studio, using no natural light - just Bowens 500W monoblocks + studio tricks! The aim was to recreate a distinctly Australian outdoor quality of light, which was done by firing my key light through a custom-made flag on which I'd stenciled-out the silhouette of a gumtree canopy. It was a lot of work, but the client took some great images to market themselves with to Europe in the months following the shoot, where they won the accolade of 'The best beef in the world'!

This succulent cut was shot in-studio, using no natural light - just Bowens 500W monoblocks + studio tricks! The aim was to recreate a distinctly Australian outdoor quality of light, which was done by firing my key light through a custom-made flag on which I'd stenciled-out the silhouette of a gumtree canopy. It was a lot of work, but the client took some great images to market themselves with to Europe in the months following the shoot, where they won the accolade of 'The best beef in the world'!

Larry Hanna

The United States

Jose Mago

The United States